They come dressed in pale blue satin gowns, flowing powder pink with a small floral print and white linen lined with small tea roses along ruffled umbrellas. They’re short or tall, curly hair with ribbons, straight and cut hard, blond, brunette and flaming red. Despite their dress or race, every face is dead pan in my porcelain doll collection and they all connect to my child inside.
My great Aunty O collected dolls. She had a special room for them where they were carefully displayed behind glass cases that reached from the floor to the ceiling. When I traveled to Muncie, Indiana to visit my great-grandmother and great-aunt I went straight to the doll room to see if she had anything new. Her favorite was the authentic Shirley Temple porcelain doll still in the box. It was the first doll you’d see when you walked in the room. Although I loved her dolls I told myself I’d never collect them myself. At times I thought it was creepy to have a room full of child-like figures looking straight forward, not to the left or the right. I thought it was creepy to see them stand perfectly, dressed perfectly, motionless in false perfection. But I was drawn to the room so I visited each time. There was something about those dolls that brought me back and something about them that drove my collection years later.
The first doll in my collection is of a black female cherub with curly hair and a fluffy halo with gold soft wings. Her dress is greenish blue with lace trim. When I saw her my heart melted. I fell in love but I also felt so sad. I felt sad because I knew why I was buying the doll. When I was a kid I wasn’t allowed to play with dolls, especially black dolls. My mother said I was too smart for dolls so they were pretty much off limits. I had a few when I was younger but I felt stupid playing with it because after all, I was way too smart for such childish games.
Twenty dolls into my collection I realized there was more to a rebellious attraction to African-American porcelain dolls. I realized each doll I had was me. She was dressed similar to the way I was as a child. Every doll in my collection had flowing velvet, satin, silk or linen dress, ruffled bloomers, paten leather shoes and of course the hat that brings the entire outfit together. I realized I was collecting moments in time where I may have met approval. Thirty dolls into the collection I introduced other races. It no longer seemed so important to me to only have black dolls. But the style was the same, not too young looking, dressed like I use to dress and perfect. One day I realized just how strong my connection to the dolls is when I noticed one doll was slouching and said to myself, “Sit up straight.” WOW!!! The doll is not me, I had to remind myself. It’s not me then or now.
My thoughts on the dolls had to move from collecting moments where I might have proven acceptable to my mother to realizing they’re just beautiful creations with dresses and curls and umbrellas and cute little shoes. I had to realize that I was still holding on to an idea, onto magical thinking that I could somehow change the past in today. Working on that thought process with the dolls allowed me to enjoy them instead of mourn them. Eighty dolls into my collection I began to look at them with smiles of appreciation.
I can’t believe I have a full room of dolls just like my great Aunty O. About a hundred dolls in I realize this room is going to need cases.
Joan of Arc
Porcelain Dolls-Saturday, June 30, 2007-5:05PM EST







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